. Alive

Its so funny to me how we know exactly how to live our lives correctly and still we refuse. Sometimes I arrive home after certain nights and I laugh to myself.
Because in truth, we know exactly how to live properly and yet we want nothing of it. We know what our body and minds expect and prefer from us… To eat well and exercise. To not poison ourselves with intoxicants, to live cautiously, and to have discipline and dedication in love and hard work. We are aware that these practices are proven – and yet we want nothing of it. Because a long, healthy life is a travesty and that makes me howl with laughter at times. How comical I find it that the essence of life itself is a rebellion against it. That this is how one truly feels alive – by challenging his own world. His own common sense. His own existence.

We don’t want boring schedules worked in boring offices, boring sex in boring homes, boring food served at boring tables. We are drawn to wild nights and wild relationships for the very same reason that when we climb to the highest towers, we cant help but look down no matter how it turns out stomachs. We cannot help ourselves. We cannot shake the temptation. The excitement. Taking care of our own lives is not what makes us feel alive. We live life by dragging it by its very own chains behind us as we run, naked and relentless through the city streets.

Life is so predictably compared to a book over and over. They will pull you into thier offices and thier classrooms and confession booths and they will ask you, “if your life was a book, would anyone read it?” and you laugh because a perfect book is one that has never been touched – never been read – and the book of your life is dirty and its pages are bent and stained because the universe just cant seem to put it down.

In short – If an idealistic society is the bookshelf to which each of our stories belong, then let us be the ones who should never collect dust.

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. History

I only study history out of fear, not out of any particular desire. Most times I would much rather pretend it wasn’t there, or convince myself that it doesn’t mean anything anymore. The same way the young woman in my hotel room softly pushes at the scar on the right side of her chest in a dirty bathroom mirror; studying it like a dusty old map found in a dead relatives attic.

It’s funny how we obsess over the terrible incidents of our lives while memories of happiness and elation so quickly fade. She is trying to keep quiet so she doesn’t wake me, but when the dim light from the lamp in my my room catches the tears slowly dripping from her cheek in the mirror, the light creates endless glints and I feel like I’m looking up at the night sky – with an infinite number of planets and stars that are both equally terrifying and negligible to me.

We push things much farther through agitation than through any type of knowledge or endearment of the subject. I know far more about my enemies than I do of any friend or lover. I can describe in detail every single scar on her body, but I couldn’t tell you the color of her eyes because I only look in her eyes when she weeps.

I pretend I was asleep when she crawls back into bed.

I’ve read all the history books and scripture. They say she was created from Adams rib long ago, but I am so reckless and I break bones. And even though they typically heal stronger after small fractures, I’m still hopelessly drawn to the damage…..the history….the fear that these afflictions carry.

She lays in the bed next to me and stares at the filthy, cracked ceiling the same way she looks at her reflection. I softly turn over and let my fingers push at the scar on the right side of her chest, even though I know it still aches her. I want her like a cat wants a tiny insect on the other side of a window pane. Some sort of maddening necessity. Something far deeper than the skin. There is something underneath these flaws and deformities that I crave. Something I need to study.
and fear.
and fuck.
and destroy.
Not because I’m malicious or spiteful, but in the same way we refuse to be alone in a creaky, old house at night, yet we love nothing more than telling ghost stories. In the same way that the cat kills an insect and then gets annoyed when it stops fluttering its wings.

I don’t know why, but she’s never more sexy than when she is crying.

I study history out of fear, and her skin is decorated with so much of it. I can’t seem to help myself. I press gently at the raised tissue and softly drag the back side of my nails across the scar on the right side of her chest. Not because I’m not afraid anymore, but because she tells me she hates it, and that is irresistible.

… like a tiny insect just outside the window pane.

History and the present are like scorn lovers that still keep a close eye on each other but will never comply with each other’s needs.

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